Showing posts with label Angela Barrett. Show all posts
Showing posts with label Angela Barrett. Show all posts

Tuesday, 23 June 2015

Carnegie and Kate Greenaway Medal Winners

Yesterday the big announcement was made!  

The 2015 winner of the Kate Greenaway medal was William Grill for Shackleton’s Journey and this years Carnegie Medal went to Tanya Landman for Buffalo Soldier.  Over the past weeks our steering group have enjoyed reading and discussing all of the books shortlisted for the awards; here they are enjoying words, illustration, tea and biscuits.  

Carnegie and Kate Greenaway medal steering group at Seven Stories

To fill the gap in our reading lists, I thought it would be a great chance to delve into the Carnegie and Greenaway treasure chest to the show you some of the items in our collections that have won prizes in the past. Our book and archive collections at Seven Stories represent work by hundreds of authors and illustrators and among them are many Carnegie and Greenaway prize winners.

This is a very small selection, if you’d like to see some more, or you have a Carnegie and Greenaway favourite that isn’t featured, let us know!

The second ever Carnegie winner was Eve Garnett in 1937 with The Family from One End Street, which was quite ground-breaking for its portrayal of a working class family.  It may not be considered anything revolutionary today but in 1937, children’s literature was dominated by middle-class children.  We don’t hold any original material but we do have multiple editions in our book collections.  

Eve Garnett's Family from One End Street (Puffin Books, 1945)

In 1961 Antony Maitland won the Kate Greenaway prize for his portrayal of Mrs Cockle’s Cat.  This image only demonstrates a small amount of material that we hold in our Antony Maitland Collection; we have the whole dummy book, original illustrations and a draft of the cover for Mrs Cockle’s Cat.  We also hold artwork from his other books.

Original artwork for Mrs Cockle's Cat, Anthony Maitland c. 1961 ©Anthony Maitland 


Seven Stories Visitor centre is based in Ouseburn Valley in Newcastle and our Collections are held at our Gateshead office so, this next winner is close to home.  Set in the fictional Garmouth, quite like our own Tynemouth, is Robert Westall’s 1975 Carnegie winner The Machine Gunners.  Westall wrote his draft for The Machine Gunners by hand in notebooks. Six years later Robert won the Carnegie again for The Scarecrows. We hold a selection of original work within our Robert Westall collection which includes material from the majority of his published books. Alongside the archive we also have an extensive Westall book collection, which includes some interesting translations.   
Draft of Machine Gunners, Robert Westall c. 1975 © Robert Westall Estate

Peter Dickinson also won the Carnegie prize two years running. Tulku won in 1979.  Here is an early, incomplete typescript manuscript which is a possible first draft of Tulku.  There is also preliminary material for City of Gold in our archive, which was Peter’s Dickinson’s second book to win the Carnegie in 1980.  City of Gold was illustrated by Michael Forman whose work you can see in our upcoming exhibition. 

Typescript draft of Tulku, Peter Dickinson c. 1978 © Peter Dickinson 


There are very few authors who have won the Carnegie prize more than once, Berlie Doherty is another.  Her first prize was for Granny was a Buffer Girl in 1986 and the second for Dear Nobody in 1991.  Berlie's books can be found in a number of our book collections and our archive collection includes material from her published books, story books and radio broadcasts. The original material for Granny was a Buffer Girl includes these drafts and photographs which we think were used for inspiration

Drafts and photographs for Granny was a Buffer Girl c. 1984 © Berlie Doherty



Anthony Browne won the Kate Greenaway in 1992 with Zoo, at Seven Stories we hold one preliminary sketch from the book which shows the zoo visitors looking into the orang-utan’s cage.  We also have a preliminary sketch from Gorilla which won Browne his first Kate Greenaway prize in 1983.

Original Illustration for Zoo c. 1992  © Anthony Browne

A lot of Philip Pullman’s collection is digital but this is a typescript draft from the 1995 Carnegie winner His Dark Materials: Northern Lights.  Some of my favourite items in our collections are Philip Pullman’s handwritten notes and drafts which show his doodling and thought process. Philip’s name is very popular, particularly within our ex-library book collections, it’s great to see how the artwork for ‘His Dark Materials’ developed over time into what is the very recognisable Philip Pullman cover. 

Typescript draft for His Dark Materials: Northern Lights c. 1995 © Philip Pullman 

Emily Gravett’s Little Mouse’s Big Book of Fears won the Greenaway prize in 2008.  In our collection we have some original artwork of mice, these drawings were used to create the final artwork digitally.  The drawings were scanned and then digitally positioned into the relevant spreads like a collage.  

Original artwork for Little Mouse's Big Book of Fears c. 2007 © Emily Gravett


Come along to Seven Stories Visitor Centre after our grand reopening in August and you may be able to spot some of Emily’s mice in our Rhyme Around the World exhibition or...If you'd like to find out more about the Seven Stories Collection, then email: collections@sevenstories.org.uk or phone: 0191 495 2707 or comment on this blog.


Friday, 10 October 2014

'Illustration and Inspiration' at the Granary Gallery, Berwick

Over the past few months, we have been working with the curator of the Granary Gallery in Berwick, on their new exhibition 'Illustration and Inspiration'. 
Opening to the public on Saturday 11 October, and running until Sunday 18th January 2015, the display celebrates the extraordinary wealth of acclaimed children’s book illustrators from Northumberland and the Scottish Borders and the artists who have inspired them.

The exhibition includes works by Vanessa Cabban, Olivia Gill, Brita Granstrom & Mick Manning, Cara Lockhart Smith, Helen Stephens and Gerry Turley. Each of the illustrators have also selected work from the Seven Stories collection by illustrators who have inspired them or had an impact on their creative practice.

Artwork on loan includes work from the archives of some of our most prestigious illustrators, and it has been an interesting exercise looking at our collections through the eyes of practising illustrators, to see what and how certain artists have inspired them over their career.


Lindsey, the Seven Stories conservator, putting the final touches to one of the display mounts.
So as not to ruin the visit to the exhibition, I'll not say who chose what, but these are the artists whose artwork was chosen from our collections:
  • Edward Ardizzone - artwork for 'The Little Train' by Grahame Greene
  • George Him - artwork for 'The Giant Alexander' series by Frank Hermann
  • Angela Barrett - artwork and sketchbook for 'The Snow Queen' by Hans Christian Anderson
  • Tove Jansson - a letter with picture of 'Little My', written to her publisher Kaye Webb
  • John Lawrence - artwork for 'Tiny's Big Adventure' by Martin Waddell
  • Michael Rosen - preparatory notes for 'We're Going on a Bear Hunt'

    Artwork by John Lawrence for 'Tiny's Big Adventure' by Martin Waddell. These two pieces on display offer the opportunity to try and match up the images - the mice in the left picture should fill the voids in the right!
    Stunning artwork for 'The Snow Queen' by Angela Barrett, on display are a finished original piece of artwork, a first edition copy of the book, and Angela's fantastic sketchbook.
To find out more about visiting the exhibition, click here and to find out more about the Berwick Literature Festival click here.

If you want to find out more about this collection, or about any other of our archives then 
email: collections@sevenstories.org.uk
phone: 01914952707 
visit: http://www.sevenstories.org.uk/collection 

Tuesday, 29 April 2014

Picturebook in Progress at Edinburgh College of Art

Last November a group of illustration students from Edinburgh College of Art visited the Seven Stories collections department and visitor centre as part of the Picturebook in Progress project.

The students viewed a range of archive material relating to how homes and families are represented in picturebooks, including work by Sarah Garland, Shirley Hughes and Kim Lewis, amongst others.

After returning to University, the students set to work on a brief to take a secondary character from one of the books they studied and illustrate a new home for them to inhabit. The project culminated in an exhibition of the new work that ran from 4 – 21 April at the College of Art.

There were some fantastically creative responses to the collection on display, including some surprising reinterpretations of classic picturebooks.

Yasmine Pirouz reworked Jan Ormerod’s Sunshine into a contemporary comic book, told from the point of view of a toy.



Laura Darling took a character from David Almond’s My Dad’s a Birdman and developed a new subplot in which he struggles to find a new job after the culmination of the book. In the ambiguous ending to her story, the character seems to be in the verge of a new life in the theatre.



After viewing artwork by Angela Barrett for The Snow Queen, Wenjin Lu took a minor character and imagined how their story might unfold.



Judith Kerr’s classic picturebook The Tiger Who Came To Tea has been interpreted in many ways. Maria Stoian’s version presents the tiger as a metaphor for depression, visiting the character of the mother unannounced.



As well as the illustrators featured here, other students took inspiration from work by Leila Berg, Helen Craig and Faith Jaques.

To see further examples of how the Seven Stories Collection has inspired illustration students, visit the Picturebook in Progress exhibition, on show at the Seven Stories visitor centre until June.